Courses tagged with "Nutrition" (104)

As most famously defined by F. O. Matthiessen in his groundbreaking book, The American Renaissance: Art and Expression in the Age of Emerson and Whitman (1941), the “American Renaissance” demarcates a period of tremendous literary activity between the 1830s and 1860s that marked the cultivation, for the first time, of a distinctively American literature.  For Matthiessen and many other critics, its key figuresRalph Waldo Emerson, Henry David Thoreau, Walt Whitman, Nathaniel Hawthorne, and Herman Melvillesought to define and explore the new American identity, carving out new modes of expression and self-identification.  In the years since Matthiessen’s important work and especially in the past several decades, this characterization of the literary period has been challenged on several fronts, for overstating the innovations of these few authors, for the exclusion of women, African-American, and more popular authors from its account of the United States during a period of social and cultural upheaval an…

Many consider James Joyce the most influential author of the 20th century.  His innovations in narrative strategy in particular continue to shape and inspire literature today.  In this course, we will examine Joyce’s aesthetic and artistic sensibilities through close readings of the major works in his oeuvre, placing special emphasis on Ulysses, whose expansive length and nearly infinite depths has sustained scholarship for decades. Before we embark upon our journey through Joyce’s canon, we will take a look at the life and times of James Joyce, situating the literary giant within a number of contexts: the fight for Irish home rule, Modernism, the World Wars, and the Irish Literary Revival.  We will then progress through his works chronologically, by date of publication: from the sober, artful short fiction of the Dubliners to the avant-garde wordplay of Finnegans Wake.  By the end of this course, you will not only have read and thought critically about a number of the most celebrated works of the l…

Scholarship on medieval women writers is a somewhat recent phenomenon, in part because we know relatively little about men of the Middle Agesand what we know about women from the period is even more limited.  In this course, we will engage this new frontier in literary studies by examining the writings of a diverse group of medieval womenfrom reclusive anchoresses to aristocratic women of the courtand analyzing the perceptions of reality, both secular and religious, that they present.  We will also read and respond to a number of critical essays concerning medieval women and the various debates that have emerged in the study of their works. We will begin the course with a unit on context, acquainting ourselves with the major socio-historical developments that shaped the period as well as the little that is known about medieval women and their roles in society.  We will then take a look at some major feminist and gender/sex-related approaches to literature, making their various methods and beliefs availab…

The decades between roughly 1890 and 1960 witnessed unprecedented efforts to create new art, new values, and a new culture in Europe and the United States to distance itself from the more socially acceptable works of late Victorian poets and artists. During this time, Western writers, artists, and intellectuals questioned the accepted aesthetic norms and produced radically experimental works of art and new understandings of what it means to live in modern times. The first half of the 20th century also witnessed the most devastating conflicts in Western history the two World Wars and the Holocaust and these events accelerated and profoundly influenced cultural changes. Modernist poetry one of the most interesting cultural developments emerged during this time. While it is true that modernist poetic developments sprang up in unlikely and seemingly spontaneous ways, we will attempt to progress through this course in a roughly chronological manner. This is because, in many ways, even modern poetry retains a…

Many scholars consider Dante the ultimate Italian poet of his time.  He introduced innovative stylistic techniques to the poetic tradition while also drawing from the philosophy, history, and mythology of the ancient world.  As we will see in the course, he composed his works in the Italian vernacular, setting an important precedent in the literary world of his time, when most of his contemporaries wrote only in Latin.  In this course, we will consider Dante’s literature for its stylistic and thematic contributions to the body of Medieval and Italian literature, as well as for its inventive appraisal of Christianity. Before we look at Dante’s specific literary works, we will first consider him as a writer who worked in a particular historical context and will accordingly begin by taking a look at Dante’s life as well as the culture of Medieval Italy on a broader level.  We will then take a look at some of Dante’s shorter works, most notably his early philosophical treatises.  We will devote the…

The Victorian Period of English history (1837-1901) witnessed a set of complex political, social, scientific, medical and philosophical developments. Such developments influenced - and were influenced by - various modes of cultural production, most specifically the Victorian Novel. The reciprocal relationship meant that even as discoveries fed the imaginative worlds of fiction, fictive accounts helped a reading public re imagine the language of those discoveries. As the British Empire expanded its reaches across the globe, news of new societies and cultures circulated back to the British Isles to a degree never before witnessed in English history. At home, British intellectuals began raising important questions concerning the nature of the "Woman Question," or the proper place and role for British women in society, at home, and in the workplace. In addition, this period saw the rise of Darwinism, Marxism, and Freudian psychoanalysis - a set of theories that would forever change global society and culture. In…

African American literature grew out of the oral tradition of storytelling and spirituals.  In this course, you will consider these verbal modes and their impact on the literary production of African American authors from the Colonial period to the current day.  Along with considering the content of literary works, you will examine the cultural, historical, and political contexts of the literature, as well as how the issues of gender, race, and class affect the production and meaning of these works. In this course, you will examine the development of African American literature in seven units: Oral Traditions; The Literature of Slavery; Reconstruction to the  New Negro Renaissance Movement; Harlem Renaissance; Realism, Naturalism, and Modernism; Black Arts; and the Contemporary Period.  This course begins with a unit that studies African American literature’s inception through oral tradition.  This unit will teach you about the beginnings of narrative and will ground your understanding in the develop…

No matter what career you pursue, you must be able to communicate effectively and clearly if you want to be successful.  This course will enhance your ability to do so by sharpening your critical thinking and writing skills.  We will begin with a unit designed to change the way in which you think about writing.  First, you will learn to think of writing not as a solitary act but as a conversation between yourself and an audience.  In this light, writing becomes a dynamic, interactive, and creative rather than a rote practice.  You will also begin to value writing as a process an admittedly difficult one  rather than a product.  You will come to see that writing is an act of discovery rather than a recitation of prefabricated ideas. Because this course is designed specifically for students in a university setting, the second unit will focus on academic writing.  We will learn how to respond to an assignment or test question by using the “PWR-Writing” or “Power-Writing” Method (PWR: Pre-write…

The ability to research topics and incorporate information from your sources into your work is an important skill both in college and on the job.  This course will reinforce the concepts you practiced in English Composition I by introducing you to basic research concepts and techniques.  It will also give you a chance to put these new concepts and techniques to work as you develop a final research paper.  We will begin by looking at how to build research into an effective writing process.  First, you will learn to think of researching not as a requirement for getting a good grade on a paper but as a valuable tool that can make your writing more powerful and convincing.  You will learn how to build research into your writing process so that you can add persuasive power to your finished work.  Through rigorous practice of the fundamental techniques, you will come to see that, like writing itself, research is an act of discovery rather than a search for prefabricated ideas. The intent of this course is t…

College Writing 2.1x is an introduction to academic writing for English Language Learners, focusing on essay development, grammatical correctness, and self-editing. The five-week course includes a review of basic grammar terminology and understanding; writing effective sentences and paragraphs; introductions and conclusions; strategies for writing longer texts; and thesis statements. The course materials will be offered via readings and videos. An optional course workbook, in ebook form, may be used for additional writing work. Students will participate in online discussions as well as peer review. Students will complete an essay for this part of the course.

In partnership with the U.S. Department of State

UC Berkeley is partnering with the U.S. Department of State to extend the reach of College Writing 2X. Participating U.S. Embassies will host in-person, facilitated discussions sessions around the course content in order to maximize the learning experience. The State Department-supported EducationUSA network will also offer facilitated discussions in some locations for students interested in pursuing higher education in the United States. This partnership is part of the English Education Alliance (E2A), a global effort of the U.S. Department of State to address the global demand for 21st century English language skills.

Shakespeare wrote for a popular audience and was immensely successful. Shakespeare is also rightly regarded as one of the greatest playwrights the world has known. This course will try to understand both Shakespeare’s popularity and his greatness by starting from a simple premise: that the fullest appreciation of Shakespeare can be achieved only when literary study is combined with analysis of the plays as theatre. Hence, as we delve into the dimensions that make Shakespeare’s plays so extraordinary--from the astonishing power of their language to their uncanny capacity to illuminate so much of human life--we will also explore them in performance from Shakespeare’s own theatre to the modern screen. At the same time, actors will occasionally join our effort and demonstrate ways of bringing the text alive as living theatre. Plays to be studied will include Romeo and Juliet, A Midsummer Night's Dream, Much Ado About Nothing, Othello, King Lear, and The Winter's Tale.

Image courtesy Castle Rock Entertainment/The Kobal Collection

Before your course starts, try the new edX Demo where you can explore the fun, interactive learning environment and virtual labs. Learn more.

Is there a required textbook?
The texts of all six plays will be required. Free, electronic versions can be found on numerous sites on the internet, including the following, which offers pdf downloads: http://www.folgerdigitaltexts.org/download.html. However, free, internet editions do not provide glosses or notes that explain difficult words and phrases. We strongly recommend that participants purchase texts (paper or electronic) that provide important aids to reading.

This module, the third installment of the multi-part Poetry in America series, focuses on the poetry of Walt Whitman, a quintessentially American writer whose work continues to bear heavily upon the American poetic tradition. We will explore Whitman’s relationship to the City, the Self, and the Body through his life and poetry. Distinguished guests in this module include Tour de France champion Greg LeMond, Supreme Court Justice Elena Kagan, and Whitman scholar Karen Karbiener.

Led by Harvard Professor Elisa New, Poetry in America surveys nearly 400 years of American poetry. Through video lectures, archival images and texts, expeditions to historic sites, interpretive seminars with large and small groups, interviews with poets and scholars, and conversations about poems with distinguished Americans, Poetry in America embarks on a journey through the literature of a nation. Distinguished guests, including President Bill Clinton, Elena Kagan, Henry Louis Gates, Eve Ensler, John McCain, Andrea Mitchell, Michael Pollan, Drew Faust, Tony Kushner, and Nas, among others, bring fresh perspectives to the study of American Poetry.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

This course, the first installment of the multi-part Poetry in America series, covers American poetry in cultural context through the year 1700. The course begins with Puritan poets--some orthodox, some rebel spirits--who wrote and lived in early New England. Focusing on Anne Bradstreet, Edward Taylor, and Michael Wigglesworth, among others, we explore the interplay between mortal and immortal, Europe and wilderness, solitude and sociality in English North America.

Led by Harvard Professor Elisa New, Poetry in America surveys nearly 400 years of American poetry. Through video lectures, archival images and texts, expeditions to historic sites, interpretive seminars with large and small groups, interviews with poets and scholars, and conversations about poems with distinguished Americans, Poetry in America embarks on a journey through the literature of a nation. Distinguished guests, including President Bill Clinton, Elena Kagan, Henry Louis Gates, Eve Ensler, John McCain, Andrea Mitchell, Michael Pollan, Drew Faust, Tony Kushner, and Nas, among others, bring fresh perspectives to the study of American Poetry.

HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.

Princess stories have been popular for centuries and remain so today around the world; we’ll dive into what these fairy tales mean, and trace the history of these narratives back to their source material, examining contexts all along the way. We’ll borrow tools from cultural studies, literature studies, and film studies to help us analyze these phenomena and what they mean to our society. Many of us may associate princess stories with modern-day products (much of it marketed to small children) or with Disney movies and theme parks. We’ll examine these current versions of fairy tale mythos as well, using our new interpretive tools to uncover not just what’s been changed in the moral and message of the narrative, but what the stories mean as told now.

The field of technical writing has come a long way from writing clearly and concisely using a keyboard into a new world of structured writing and content management. Documents are no longer written and published as individual entities within a documentation set but rather written as data segments for reuse on systems that automate processes for controlling and managing the segments. Information is no longer published as a document solely for paper ouput, but for electronic access on PCs, cell phones, and other handheld devices. This means that the technical writer today must be familiar with the solutions that employ the features of structured writing for reuse, and the latest standard approaches for segmenting and storing information for output to multiple types of formats and access on different devices. The course is designed to further your technical writing skills with use of XMetaL, XML, and the DITA standard. It also introduces you to other writing standards, output options, and content management systems. Basic knowledge of writing standards, output options, and content management systems is helpful. Participants can choose to receive a certificate of completion at the end of the course. The cost of the Certificate and Processing will generally be $59.00 (US) domestic and $69.00 (US) international. For this self-paced course, the average time of completion is 6-7 weeks. There are 7 lessons. You may complete the lessons and activities at your own pace after the course start date and complete the work as quickly as you care to.

This seven-and-a-half week online course will introduce you to basic writing skills, especially as they pertain to novel writing. This includes everything from basic story construction and character development, through the intricacies of plotting. You’ll learn to identify skill strengths and weaknesses. You’ll also start thinking like a writer by developing your writing and analytical skills. During the course, you’ll learn to talk about writing as working writers do, and develop a toolkit of techniques, which you’ll use throughout your career. This course will offer both a badge and, certificate of completion. Cost of enrollment: $65.00 Required Materials: The textbook for this course is 21 Days to a Novel by Michael A. Stackpole It is available as a PDF from Stormwolf.com Cost: $20 The sample novel for this course is Star Wars X-wing Rogue Squadron by Michael A. Stackpole. (I am using this book as an example because I am absolutely certain I know what the author was thinking when he was writing this book or any passage in it, and that I can reliably relate the author’s true thoughts and intentions.) The book is widely available in paper or ebook format. There is one other book each student should read: any novel published in the last two years, written by an author after whom you would like to style your writing. In the first week you'll share your draft-choice novel with others. These shared books should form a solid library of examples to study. (Writers must read other writers.)

The study of literary texts can be dramatically enriched if one takes into account the material form in which they are presented to the reader. In this course, we will focus on the relationships between the text and the other elements that may surround it (like illustrations) or between the text and the various material forms that shape it (like the digital hypertext format).

What the what? A course about swearing? (No need to put a quarter in the swear jar; it’s totally academic.) An honest-to-goodness linguistics professor will guide you through the study of taboo language, including syntax, semantics, phonology & morphology, psycholinguistics, sociolinguistics, pragmatics, second language acquisition, and cross-linguistic comparison. See? No four-letter words here, so you know it’s for scholars. Enroll today (unless you’re averse to obscenity) and learn everything you always wanted to know about bad words, but were afraid to ask your mother. Required text: This Book is Taboo: An Introduction to Linguistics through Swearing Available for purchase at Kendall Hunt Hard-cover: $54.60 E-book: $43.68 Students who successfully complete this course will receive a certificate of attendance. This course is offered through Instructure as a non-credit course created by the University of Utah. Students enrolled in this course are not considered students of the University of Utah.

This course revolves around the work of revising writing, learning, and engaging with language and community. You will explore who you are as a learner as you write about yourself and your language use, as well as consider who you are as a communicator as you critique texts, persuade audiences, and collaborate with others. We've designed this course to help you revise how you write and to help you collect a toolkit of effective reading, writing, and learning strategies. Each of the four modules integrates academic and social contexts (e.g., Facebook, ELI peer review application) to encourage a wide application of the skills you acquire during the course. The skills you will practice in this course (like narration, summary, etc.) are fairly typical for writing classes at many U.S. universities; however, our course focuses on you as a writer and thinker. Recognizing specific learning and communication practices and considering ways to employ them can make you more successful in future coursework and in all communication.

This course will introduce you to the range of drama written and performed in England and Continental Europe between roughly 1660 and1800, a period often termed “the long eighteenth century.”  In this course, we will refer to the “long-eighteenth century” as the period that began with the Restoration of the English monarchy with King Charles II following the English Civil War and concluded with the first years of the nineteenth century.  During this period, drama flourished in England, France, and Germany.  After quite a long period in which theater was not in vogue, the emergence of brilliant new dramatists, the development of novel forms of plays (including derivates of the Italian opera, comedy, and the musical), and the passage of laws that finally allowed women actors on stage sparked renewed interest amongst theatergoers.  In this course, we will explore the major plays, players, and playhouses from this era in conjunction with a thorough and in-depth historical contextualization. This cou…