Courses tagged with "Taking derivatives" (363)

This course will introduce you to the history of the Middle East and Southwest Asia from the pre-Islamic period to the end of World War I.  You will learn about the major political, economic, and social changes that took place.  The course will be structured chronologically.  Most units will include representative primary-source documents that illustrate important overarching political, economic, and social themes, such as the formation of ancient empires in the second and first millennia BCE, the political and social influence of Islam on the region in the first millennium CE, the growth and expansion of Muslim states in the second millennium CE, and the impact of European imperialism on the region in the 18th and 19th centuries.  By the end of the course, you will understand how the Middle East and Southwest Asia developed politically, economically, and socially prior to World War One and recognize the critical role that the region played in the broader development of European and Asian societies.

The purpose of this course is to provide you with a basic understanding of foreign affairs and introduce you to the fundamental principles of international relations within the political science framework. We will examine the theories of realism and liberalism as they are understood in world politics. These theories will serve as the foundation for more advanced study in the International Relations field of the Political Science major, and will help you develop the critical thinking skills you need in order to analyze conflicts between states. We will also explore issues that relate to the politics of global welfare, such as war, world poverty, disease, trade policy, environmental concerns, human rights, and terrorism. You will learn about the ethics of war, the global distribution of wealth, the concept of the balance of power and its relationship to the causes of war, and what happens in the international system when the balance of power collapses. At the end of this course, you will have a comprehensive…

Like it or not, we can’t escape politics.  Politics, a term best defined as the distribution, exercise, and consequences of power, exists at multiple levels in our society and in our daily lives.  We experience politics in action, for example, in international negotiations, government policy choices, our workplace, and even in our own families.  This course focuses its efforts on exploring the formal, public sphere of politics and power relations through a systematic study and comparison of types of government and political systems. Comparatists (practitioners of comparative politics) seek to identify and understand the similarities and differences between these systems by taking broad topicssay, for example, “democracy” or “freedom”and breaking them down into factors that can be found in individual systems.  We call this general approach “the comparative method.”  The goal of the comparative method is to identify the factors and/or categories of analysis to effectively compare and contra…

This course will introduce you to the concepts and ideas in the area of social psychology. Social Psychology aims to discover the different ways in which people interact with other individuals, groups, and the larger society as a whole, as well as why people act in certain ways. As with an anthropology or sociology course, social psychology looks at the inner workings of groups of people. However, it differs from these courses in terms of its focus; social psychology focuses primarily on the single individual’s psychology as part of the group or society, rather than the culture or group interaction (though both of these areas have some relevance in social psychology). This may seem to be quite a broad subject area and it is. Humans are social creatures (in other words, they have evolved to be able to interact and communicate at high levels with individuals of their own species) and almost invariably exist in a social context (even a situation in which society is absent could be studied by social psychologi…

Cultural Psychology reviews the cultural, community, and ecological factors that play a role in how people perceive their environment.  It is the integration of the nature and nurture phenomenas, whereby an individual’s psyche is determined, or at least influenced, by both that individual’s culture and those other cultures to which the individual is exposed.  This may include many layers and levels, such as those discussed by Bronfenbrenner’s ecological systems theory, including the microsystem, mesosystem, exosystem, macrosystem, and chronosystem. For example: On a small scale, it is easy to see how an individual living in New York City would encounter different psychosocial stressors than a person living on a farm in Iowa might.  On a much larger scale, a person living in the United States may differ greatly, in cultural terms, from an individual living in China.  It may be easy to tell that two cultures are different from one another, but identifying exactly what we meanand all that is encompas…

Psychotherapy refers to the practices clinical psychologists use to treat mental disorders. While “therapy” can denote any intervention undertaken with the goal of healing someone (including medicinal treatments for physical problems), psychotherapy is specific in that it uses certain cognitive, behavioral, and emotional regulation techniques. Based on pop culture portrayals of psychotherapy, you may be imagining a patient lying on a couch, talking freely about whatever is on his or her mind, while a doctor scribbles notes. While there is some truth to this portrait, it is an obvious oversimplification. Psychotherapy often involves a pre-defined set of techniques that a counselor will use in order to solve the problems that his patient is encountering. These techniques often vary from therapist to therapist and depend on which school of thought the therapist subscribes to, that is, which perspectives he or she has adopted in order to explain the causes of and appropriate treatments for various disorders.

In this course, we will study the history of Western art, beginning with the first objects created by prehistoric humans around 20,000 years ago and ending with the art and architecture of the High Gothic period in fourteenth-century Europe.  The information presented in this course will provide you with the tools to recognize important works of art and historical styles, as well as to understand the historical context and cultural developments of Western art history through the end of the medieval period.  Introductory readings paired with detailed lectures will provide you with a well-rounded sense of the history, art, and culture of the West up through the medieval period. At the end of this course, you will be able to identify key works of art and artistic periods in Western history.  You will also be able to discuss the development of stylistic movements and relate those developments to important historical events.  Completion of this course will prepare you for ARTH111, which surveys the history o…

This course will introduce you to the major topics, problems, and methods of philosophy and surveys the writings of a number of major historical figures in the field. Philosophy can be - and has been - defined in many different ways by many different thinkers. In a scholarly sense, philosophy is the study of the history of human thought. It requires familiarity with great ideas understood through the various major thinkers in world history. In its most general sense, philosophy is simply the investigation of life’s “big questions.” We will explore such fundamental questions in several of the core areas of philosophy, including metaphysics, epistemology, political philosophy, ethics, and the philosophy of religion. With the help of commentaries and discussions from a number of contemporary philosophers, we will read and reflect on texts by major Western and non-Western thinkers including Lao Tzu, Buddha, Confucius, Plato, Aristotle, Saint Anselm, René Descartes, Blaise Pascal, John Locke, Immanuel…

Physics 101 is the first course in the Introduction to Physics sequence. In general, the quest of physics is to develop descriptions of the natural world that correspond closely to actual observations. Given this definition, the story behind everything in the universe, from rocks falling to stars shining, is one of physics. In principle, the events of the natural world represent no more than the interactions of the elementary particles that comprise the material universe. In practice, however, it turns out to be more complicated than that. As the system under study becomes more and more complex, it becomes less and less clear how the basic laws of physics account for the observations. Other branches of science, such as chemistry or biology, are needed.  In principle, biology is based on the laws of chemistry, and chemistry is based on the laws of physics, but our ability to understand something as complex as life in terms of the laws of physics is well beyond our present knowledge. Physics is, however, the…

The physics of the universe appears to be dominated by the effects of four fundamental forces: gravity, electromagnetism, weak nuclear forces, and strong nuclear forces.  These forces control how matter, energy, space, and time interact to produce our physical world.  All other forces, such as the force you exert in standing up, are ultimately derived from these fundamental forces. We have direct daily experience with two of these forces: gravity and electromagnetism.  Consider, for example, the everyday sight of a person sitting on a chair.  The force holding the person on the chair is gravitational, and that gravitational force balances with material forces that “push up” to keep the individual in place.  These forces are the direct result of electromagnetic forces on the nanoscale.  On a larger stage, gravity holds the celestial bodies in their orbits, while we see the universe by the electromagnetic radiation (light, for example) with which it is filled.  The electromagnetic force also makes…

In this course, we will study important movements and some influential artists in Western art history.  We will begin with the “Proto-Renaissance” in Italy in the 13th century and continue through to the late 20th century.  You will become acquainted with certain regional and personal styles of art through this period, as well as a number of renowned works of art and architecture. Art forms and imagery are influenced by the surrounding world, the biography of the artist who produced the artwork, and other circumstances of artistic production.  This course provides a framework for considering how and why certain artistic movements emerged in certain places at certain times.  Some of the names and works we will look at might already be familiar to you, while others will be new.  The ultimate goal of this course is not to provide data on individual works of art, although that is part of art history, but to act as a sort of springboard.  You will gain tools for looking at and analyzing not only art by…

In this course, we will study the art of Classical Antiquity.  The different units of the course reflect the main chronological stages in art development in Ancient Greece and Rome, from the coming together of the Greek city-state and the emergence of “geometric art” (around 900 B.C.) to the fourth century A.D. shift that took place within Roman culture and art due to the growing influence of Christianity.  We will begin by underlining the unity of our subject matter: Rome not only conquered Greece, but it assimilated Greece’s cultural and artistic accomplishments.  In fact, much of what we know of Greek art today we learned through Roman copies. We will also explore the development of Greek architecture, sculpture, and painting up to the Hellenistic period, when Greek art began to influence new parts of the globe through the conquests of Alexander the Great.  We will also study the ways in which naturalism and idealism came together as Greek art developed over time.  Next, we will turn our atten…

In this course, we will focus on becoming “literate” in the art of the Italian Renaissance, on identifying the effects that the Renaissance had on the arts of Italy, and discovering the ways in which specific historical developments impacted those arts from the end of the thirteenth century to the end of the sixteenth century.  The Renaissance, a European phenomenon that began to develop in the late thirteenth century, refers to a marked shift in the ways in which individuals perceived their world.  A new outlook was emergingone that was characterized by, among other things, increased humanism and a renewed interest in the cultures of Classical Antiquity (and all within a Christian framework).  There is no specific date that marks the beginning of the Renaissance, but its burgeoning effects on art can be detected earlier in Italy than in other areas.  The late thirteenth and fourteenth centuries in Italy are consequently referred to as the “Proto-Renaissance” and will constitute our first unit of…

This course will examine the history of Western art from approximately 1600 to approximately 1800a period that bridges the gap from the Renaissance to the earliest days of the Modern era. Beginning with the Baroque in Counter-Reformation Italy and concluding with Neoclassicism in the late 18th century, we will trace the stylistic developments in Europe and America through a variety of religious, political, and philosophical movements. The class begins with the Baroque, which was the immediate successor to the Renaissance and to Renaissance humanism, and we will examine this period by regions (Italy and Spain, the Netherlands, and France and England). Next, the course moves on to explore the development of two opposing styles that emerged in the 18th century: Rococo and Enlightenment art. The course culminates with Neoclassical art, its development in a politically turbulent France, and its spread into other Western cultures, including Italy, England, and the United States. Crucial to this course is the emer…

In this course, you will study the various artistic movements that comprise 19th- and 20th-century modern art. You will examine several dozen artists, all of whom helped define their respective artistic styles and eras through their innovative approaches to representation, artistic space, and the role of the artist in society. Each unit will cover a significant period in the history of modern art and explore the ways in which both the principal figures from each period and the corresponding movements challenged the limits of art through the incorporation of modern life, as each artist addresses the political, philosophical, and personal implications of “modernity” and how it relates to the production of artwork. This course will begin with a brief review of the artists and movements that immediately preceded French Impressionism and will then take an in-depth look at the key artists and characteristics of Impressionism, widely considered the first “modern” art movement. You will then spend time read…

This course explores the history of the artistic developments of the 20th century in Western Europe and the United States. The art of this period is characterized by extraordinary experimentation and innovation in styles, materials, techniques, and modes of dissemination. In addition to painting and sculpture, the 20th century witnessed the rise in popularity of photography, collage, montage, installations, earth art, performance, and conceptual art. Artists were sometimes inspired by the works of past masters but also often by contemporary changes in intellectual thought and social conditions. Therefore, we will examine the intellectual and cultural beliefs that this art both reflects and helped shape. Despite the great variety of artistic styles and theories that we will examine, a number of important themes consistently recur. If you keep them in mind as you progress through the course, you will find it easier to organize your thoughts and make meaningful comparisons among various artists, movements, and…

This course surveys art of America from the colonial era through the post-war 20th century.  We will consider broad stylistic tendencies in various regions and periods and examine specific artists and works of art in historical and social contexts, with emphasis on the congruent evolution of contemporary American multi-cultural identity.  We will move chronologically, more or less, with many overlaps and cross-chronological, thematic diversions that will help shape this overview and offer different perspectives on the notion of an “American art,” per se. Overarching issues that have interested major scholars of American art and its purview include the landscape (wilderness, Manifest Destiny, rural settlement, and urban development); the family and gender roles; the founding rhetoric of freedom and antebellum slavery; and notions of artistic modernism through the 20th century.  A background in the basic concepts and terms of art history and art practice, and/or American studies in other disciplines, w…

This course serves as an introduction to the pre-modern Islamic artistic traditions of the Mediterranean, Near East, and Central and South Asia.  This course is organized around the major dynasties under which Islamic art and architecture were produced.  The first unit surveys core Islamic beliefs, the basic characteristics of Islamic art and architecture, and art and architecture created under the patronage of the Umayyads (632-750) and the Muslim rulers of Spain.  The second unit focuses on the artistic and architectural innovations of the Abbasids (738-1250) and Seljuks (c.1040-1157), as well as the regional rulers of Anatolia and the Maghreb.  The third unit looks at the art and architecture of three successive Islamic dynasties based in Egypt: the Fatimids (909-1171), Ayyubids (1171-1250), and Mamluks (1250-1517). Unit 4 examines the art and architecture of the Ilkhanid (1256-1353) and Timurid (c. 1370-1507) dynasties in Iran and Central Asia.  The final unit presents the art and architecture of thr…

This course serves as an introduction to the major pre-Modern artistic traditions of India, China, and Japan.  It is organized into three units that focus on the art and architecture of India, China, and Japan respectively.  Each unit is structured chronologically.  Unit 1 examines Indian Art from the Indus Valley Civilization (c. 2600-1900 BCE) through the art of the Mughal Empire (1526-1858), focusing on Buddhist, Hindu, and Islamic art and architecture.  Unit 2 covers the arts of China from the Shang Dynasty (c.1600-1050 BCE) through the Qing Dynasty (1644-1911), detailing the interaction between art, politics, and culture throughout Chinese dynastic history.  Unit 3 introduces Japanese Art from the Jomon Period (c.10,500-300 BCE) through the Edo Period (1615-1868), exploring the effects that various sub-traditions and sub-cultures (Tang Dynasty China, Buddhism, and the warrior class) had on the art of Japan. After completing this course, you will have a comprehensive understanding of the arts and a…

A chronological and thematic survey of the major themes and developments in the history of Latin American art, this course traces the evolution of visual culture over approximately four millennia.  Organized into three parts, the course begins with the pre-Columbian period (1800 BC to AD 1492), moves into the years of European contact and conquest (AD 1492 to 1800), and concludes with an overview of modern and contemporary art across the Americas.  You will learn to identify and describe works of art and discuss the broader historical and social contexts in which they were produced and circulated. The first part of the course will introduce you to the major artistic achievements and archaeological record of the ancient Mesoamerican and Andean cultures: monumental architecture, urban planning, painting, sculpture, and portable arts.  The study of colonial art focuses on Mexico, Peru, and Brazil, introducing concepts of artistic hybridity and diversity, indigenous and national cultures, and transatlantic e…