Courses tagged with "Nutrition" (151)
At its core, this course is about providing students with a broader understanding of music as a uniquely human activity. This will be accomplished by discussing the music you actually listen to, learning about various dimensions and elements of music, and creating your own music. No previous experience making music is necessary. This course is designed for individuals at all levels of musical understanding and experience. The fundamental assumption underlying the course design is that ALL people are innately musicians, whether that musicianship is expressed in the form of listening, performing, or creating music. Ever since you were born (and even before) you have been developing an expertise in music based on your own personal musical experience. This is similar to how you have been developing a language expertise that is dependent on your individual experience with the language(s) that you speak. It is your own individual musical expertise that forms the entry point into this course and on which this course is built. These are the course’s four learning goals: Acquire a more robust understanding of the various dimensions of music Acquire a richer language for talking about (describing and evaluating) music Integrate those understandings to create and evaluate your own music Apply this musical language to describe and evaluate music of others The entire course is framed around answering one basic, but deceptively complex, question: What is music? The course is structured to help answer this question by approaching it from various perspectives, including the following: Music as Human Activity Music as Metaphor Music as Emotion Music as Physics Music as Form Music as Culture Within each module, you will do each of the following: Learn new material through various media, including course readings, presentations, videos, websites, etc. Actively participate in discussions, which are designed to give you opportunities to apply and broaden your knowledge of this new material. Demonstrate your knowledge by completing short quizzes on the material (only some modules). Create musical products of your own, with support and help embedded within the course itself (you do NOT need to be able to play an instrument or have previous experience making/writing music). Review, evaluate, critique, and discuss projects from your peers.
This course is an exploration of visual art forms and their cultural connections for the student with little experience in the visual arts. It includes a brief study of art history, and in-depth studies of the elements, media, and methods used in creative thought and processes. In this course, you will learn how to develop a five-step system for understanding visual art in all forms, based on the following: Description: A work of art from an objective point of view its physical attributes, and formal construction. Analysis: A detailed look at a work of art that combines physical attributes with subjective statements based on the viewer’s reaction to the work. Context: Historical, religious, or environmental information that surrounds a particular work of art and which helps to understand the work’s meaning. Meaning: A statement of the work’s content. A message or narrative expressed by the subject matter. Judgment: A critical point of view about a work of art concerning its aesthetic or cultur…
This course serves as an introduction to the major artistic and architectural traditions of Ancient Egypt and the Ancient Near East. This course will explore how artifacts and monuments can be used to study the history and culture of the ancient world. It is divided into two units that chronologically focus on the art, architecture, and archaeology of each region. The first unit examines Ancient Egyptian tombs, monuments, and art from the Early Dynastic (c. 3100-2650 BCE) through the Roman (30 BCE- 4thcentury CE) periods. The second unit focuses on Ancient Near Eastern artistic and architectural traditions from the late Neolithic (c. 9500-4500 BCE) through the conquest of the Achaemenid Persian Empire (550-330 BCE) by Alexander the Great. After completing this course, you will be able to identify the major characteristics of Egyptian and Near Eastern art and architecture, more specifically what types of objects and buildings were made and used by Egyptians and Ancient Near Eastern peoples. You wil…
This course is an introduction to the major methodologies that have been and are used by art historians. Although not a history of art history per se, it is organized in a roughly chronological order that traces major methodological developments within the discipline from the birth of art history in the nineteenth century through the late twentieth century. By focusing on several outstanding historical and critical readings, as well as secondary discussions of different types of art historical analysis, the student will be introduced to some of the major methodologies that have shaped the field: formalism, biographical analysis, connoisseurship, technical analysis, iconographical analysis, psychoanalysis, Marxism and the social history of art, feminism, post-colonialism, and semiotics. The course will also examine how artworks are displayed in modern art museums. After completing this course, you will be able to explain the strengths and weaknesses of different art historical methodologies and explain…
This course will introduce you to the art and architecture of the African continent from the prehistoric to the present. The objects, images, and sites featured in this course represent a small cross-section of the diverse ethnic and artistic heritage in Africa. This course emphasizes the role of art as manifested in the lifestyles, spiritualities, and philosophies of particular African societies, while also breaching aesthetic principles and the study and display of African art. Many works produced in Africa are used for spiritual purposes that include ritual and performance. The study of masks and ceremonies will enable you to become more familiar with the significant role art plays in the everyday lives of the citizens of African nations. For example, most traditional African art was not meant to be displayed, but rather viewed in use and in motion, especially in mixed-media masquerades. Body adornment and textiles have long been important forms of visual communication and expression in Africa, whereas pai…
In this course, we will study the history of Western art, beginning with the first objects created by prehistoric humans around 20,000 years ago and ending with the art and architecture of the High Gothic period in fourteenth-century Europe. The information presented in this course will provide you with the tools to recognize important works of art and historical styles, as well as to understand the historical context and cultural developments of Western art history through the end of the medieval period. Introductory readings paired with detailed lectures will provide you with a well-rounded sense of the history, art, and culture of the West up through the medieval period. At the end of this course, you will be able to identify key works of art and artistic periods in Western history. You will also be able to discuss the development of stylistic movements and relate those developments to important historical events. Completion of this course will prepare you for ARTH111, which surveys the history o…
We are in the midst of an explosion of musical creativity as a result of technologies that allow you to record music using your laptop or tablet. Whether you are a singer, music producer, audio engineer, or just someone that likes to make good music with vocals, it is essential to have an understanding of vocal technologies for music production.
This music production course provides learners with insight into the voice itself, the recording environment, microphones, equalization, compressors, A-D-A conversion, the listening environment, human perception, natural widening concepts, artificial widening concepts, reverb, delay, and more. Grammy-award winning record producer, audio engineer, recording artist, and educator Prince Charles Alexander offers students a first-hand opportunity to learn the technologies behind vocal production, so that you can enhance your music productions with the most compelling and effective vocal tracks.
Learn about the inspirational work of the leading European painters from approximately 1400 to 1800, and explore the issues expressed through the art of painting. Included in this broad time frame are the works of Leonardo da Vinci, Caravaggio, Velázquez, Rembrandt, Vermeer and Goya.
Painters during this period were concerned with ideas such as the pursuit of beauty, the pleasures and pains associated with love, the demonstration of power and status, or the relationship of men and women to the divinity and to nature. In paintings from this period, we find traces of the emergence of the modern mind set, and perspective on issues such as the respective roles of women and men in the world.
This course focuses on images of paintings by the artists listed in the course syllabus. The discussions that will take place in the “course forum” will allow us to touch upon a broader range of issues.
Conoce la obra inspiradora de los principales pintores europeos desde 1400 hasta 1800 aproximadamente, y descubre los problemas que encuentran su expresión en el arte de la pintura. En este amplio marco temporal se incluyen artistas de la importancia de Leonardo da Vinci, Caravaggio, Velázquez, Rembrandt, Vermeer o Goya.
Los pintores durante este periodo estaban preocupados por ideas tales como la búsqueda de la belleza, los placeres y dolores asociados al amor, la demostración de poder y estatus, o la relación de hombres y mujeres con la divinidad y la naturaleza. En las pinturas del período cubierto en este curso se encuentran rastros de la aparición de la mentalidad moderna, así como información sobre cuestiones tales como los roles respectivos de los hombres y las mujeres en el mundo.
Este curso se centrará en imágenes de pinturas de los artistas que figuran en el programa del curso. Las discusiones que tendrán lugar en el "Foro del curso" nos permitirán abordar una gama más amplia de cuestiones.
This class explores composition and arrangement for the large jazz ensemble from 1920s foundations to current postmodern practice. Consideration given to a variety of styles and to the interaction of improvisation and composition. Study of works by Basie, Ellington, Evans, Gillespie, Golson, Mingus, Morris, Nelson, Williams, and others. Open rehearsals, workshops, and performances of student compositions by the MIT Festival Jazz Ensemble and the Aardvark Jazz Orchestra.
