Courses tagged with "Graduate" (40)

Sort by: Name, Rating, Price
Start time: Any, Upcoming, Recent started, New, Always Open
Price: Any, Free, Paid
Starts : 2008-02-01
10 votes
MIT OpenCourseWare (OCW) Free Social Sciences Architecture Graduate MIT OpenCourseWare

This course will study the question of Global Architecture from the point of view of producing a set of lectures on that subject. The course will be run in the form of a writing seminar, except that students will be asked to prepare for the final class an hour-long lecture for an undergraduate survey course. During the semester, students will study the debates about where to locate "the global" and do some comparative analysis of various textbooks. The topic of the final lecture will be worked on during the semester. For that lecture, students will be asked to identify the themes of the survey course, and hand in the bibliography and reading list for their lecture.

Starts : 2004-09-01
5 votes
MIT OpenCourseWare (OCW) Free Social Sciences Architecture Graduate MIT OpenCourseWare

An analysis of historical structures is presented themed sections based around construction materials. Structures from all periods of history are analyzed. The goal of the class is to provide an understanding of the preservation of historic structures for all students.

Starts : 2004-02-01
15 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This class investigates the theory, method, and form of collage. It studies not only the historical precedents for collage and their physical attributes, but the psychology and process that plays a part in the making of them. The class was broken into three parts, changing scales and methods each time, to introduce and study the rigor by which decisions were made in relation to the collage. The class was less about the making of art than the study of the processes by which art is made.

Starts : 2003-09-01
8 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This studio explores the notion of in-between by engaging several relationships; the relationship between intervention and perception, between representation and notation and between the fixed and the temporal. In the Exactitude in Science, Jorge Luis Borges tells the perverse tale of the one to one scale map, where the desire for precision and power leads to the escalating production of larger and more accurate maps of the territory. For Jean Baudrillard, "The territory no longer precedes the map nor survives it. …it is the map that precedes the territory... and thus, it would be the territory whose shreds are slowly rotting across the map." The map or the territory, left to ruin-shredding across the 'other', beautifully captures the tension between reality and representation. Mediating between collective desire and territorial surface, maps filter, create, frame, scale, orient, and project. A map has agency. It is not merely representational but operational, the experience and discursive potential of this process lies in the reciprocity between the representation and the real. It is in-between these specific sets of relationships that this studio positions itself.

Starts : 2003-09-01
12 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This semester students are asked to transform the Hereshoff Museum in Bristol, Rhode Island, through processes of erasure and addition. Hereshoff Manufacturing was recognized as one of the premier builders of America's Cup racing boats between 1890's and 1930's. The studio, however, is about more than the program. It is about land, water, and wind and the search for expressing materially and tectonically the relationships between these principle conditions. That is, where the land is primarily about stasis (docking, anchoring and referencing our locus), water's fluidity holds the latent promise of movement and freedom. Movement is activated by wind, allowing for negotiating the relationship between water and land.

Starts : 2003-09-01
10 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

The theme that unites the Level II studios in the fall semester is a focus upon the 'making of architecture and built form' as a tectonic, technical and materially driven endeavor. It is a design investigation that is rooted in a larger culture of materiality and the associated phenomena, but a study of the language and production of built form as an integrated response to the conceptual proposition of the project. The studio will look to works of architecture where the material tectonic and its resultant technology or fabrication become instrumental to the realization of the ideas, in whatever form they may take. This becomes the 'art of technology' -- suggesting a level of innovation and creative manipulation as part of the design process to transform material into a composition of beauty and poetry as well as environmental control. In this regard the studio will look to the works and design processes of a number of architects including Shigeru Ban, Peter Zumthor, Herzog and deMeuron, Kazuyo Sejima, Richard Horden, Rick Joy and Glenn Murcutt among others.

Starts : 2006-02-01
11 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

The project for this studio is to design a demonstration project for a site near the French Quarter in New Orleans. The objectives of the project are the following:

  1. To design more intense housing, community, educational and commercial facilities in four to six story buildings.
  2. To explore the "space between" buildings as a way of designing and shaping objects.
  3. To design at three scales - dwelling, cluster and overall.
  4. To design dwellings where the owners may be able to help build and gain a skill for employment.
  5. To provide/design facilities that can help the residents to gain education and skills.

Other Versions

Other OCW Versions

OCW has published multiple versions of this subject. Question_OVT logo

Related Content

Starts : 2004-09-01
15 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This studio will investigate the social, programmatic, tectonic and phenomenological performance and character of a student gathering place on the MIT campus. Whether it is simply for socializing or for more specific events, the student gathering place will serve as a refuge from the vigorous educational environment of the Institute, and it will reinforce a critical sense of "place" through the almost logical organization of its program. The place will foster a casual discovery of "being": a reflection upon the student's own existence based upon participation in group events and an intellectual attitude toward acting. To create a space that inspires, rather than imposes: such a discovery is the foremost challenge of this studio.

Starts : 2004-02-01
17 votes
MIT OpenCourseWare (OCW) Free Closed [?] Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This architectural studio will have one main project for the semester: to explore the issues surrounding the redesign of an area in Havana, Cuba. It is a typical area about the size of a Law of Indies block that presently has a mix of housing, work, and shopping, in buildings that need to be replaced and others that need to be rehabilitated. There is also vacant land, and buildings that are unused. Part of the blocks front on the Malecon, the street next to the water. The other edge fronts onto a typical neighborhood. The intention is to study the culture through an understanding of one area of Havana and then design an "echo" in architectural form. The design will include public space as well as a mix of buildings: some new, some rehabilitated.

Starts : 2004-09-01
14 votes
MIT OpenCourseWare (OCW) Free Social Sciences Architecture Graduate MIT OpenCourseWare

This course offers an introduction to the history, theory, and construction of basic structural systems as well as an introduction to energy issues in buildings. It emphasizes basic systematic and elemental behavior, principles of structural behavior, and analysis of individual structural elements and strategies for load carrying. The course also introduces fundamental energy topics including thermodynamics, psychrometrics, and comfort. It is a required class for M. Arch. students.

Starts : 2004-09-01
17 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This course addresses advanced structures, exterior envelopes and contemporary production technologies. It continues the exploration of structural elements and systems, and expands to include more complex determinate, indeterminate, long-span and high-rise systems. It covers topics such as reinforced concrete, steel and engineered wood design, and provides an introduction to tensile systems. Lectures also address the contemporary exterior envelope with an emphasis on their performance attributes and advanced manufacturing technologies. This course is required of MArch students.

Starts : 2005-09-01
10 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This course serves as an introduction to urban form and design, focusing on the physical, historical, and social form of cities. Selected cities are analyzed, drawn, and compared, to develop a working understanding of urban and architectural form. The development of map making and urban representation is discussed, and use of the computer is required. A special focus is placed on the historical development of the selected cities, especially mid-nineteenth and mid-twentieth century periods of expansion. Readings focus on urban design theory in the twentieth century and will be discussed during a weekly seminar on them. This is a methods class for S.M.Arch.S. students in Architecture and Urbanism.

Starts : 2002-02-01
7 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This class, required of all Master of Architecture students, presents a critical review of works, theories, and polemics in architecture in the aftermath of World War II. The aim is to present a historical understanding of the period, and to develop a meaningful framework to assess contemporary issues in architecture. Special attention will be paid to historiographic questions of how architects construe the terms of their "present."

Starts : 2012-02-01
9 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This course explores natural and electric lighting that integrates occupant comfort, energy efficiency and daylight availability in an architectural context. Students are asked to evaluate daylighting in real space and simulations, and also high dynamic range photography and physical model building.

Starts : 2008-09-01
7 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This course will guide graduate students through the process of using rapid prototyping and CAD/CAM devices in a studio environment. The class has a theoretical focus on machine use within the process of design. Each student is expected to have completed one graduate level of design computing with a full understanding of solid modeling in CAD. Students are also expected to have completed at least one graduate design studio.

Starts : 2006-02-01
25 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

This is an advanced subject in computer modeling and CAD CAM fabrication, with a focus on building large-scale prototypes and digital mock-ups within a classroom setting. Prototypes and mock-ups are developed with the aid of outside designers, consultants, and fabricators. Field trips and in-depth relationships with building fabricators demonstrate new methods for building design. The class analyzes complex shapes, shape relationships, and curved surfaces fabrication at a macro scale leading to new architectural languages, based on methods of construction.

Starts : 2002-09-01
10 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

The aim of this course is to highlight some technical aspects of the classical tradition in architecture that have so far received only sporadic attention. It is well known that quantification has always been an essential component of classical design: proportional systems in particular have been keenly investigated. But the actual technical tools whereby quantitative precision was conceived, represented, transmitted, and implemented in pre-modern architecture remain mostly unexplored. By showing that a dialectical relationship between architectural theory and data-processing technologies was as crucial in the past as it is today, this course hopes to promote a more historically aware understanding of the current computer-induced transformations in architectural design.

Starts : 2007-02-01
12 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

Ecologies of Construction examines the resource requirements for the making and maintenance of the contemporary built environment. This course introduces the field of industrial ecology as a primary source of concepts and methods in the mapping of material and energy expenditures dedicated to construction activities.

Starts : 2004-09-01
16 votes
MIT OpenCourseWare (OCW) Free Visual & Performing Arts Architecture Graduate MIT OpenCourseWare

Inspired by the work of the architect Antoni Gaudi, this research workshop will explore three-dimensional problems in the static equilibrium of structural systems. Through an interdisciplinary collaboration between computer science and architecture, we will develop design tools for determining the form of three-dimensional structural systems under a variety of loads. The goal of the workshop is to develop real-time design and analysis tools which will be useful to architects and engineers in the form-finding of efficient three-dimensional structural systems.

Starts : 2005-02-01
13 votes
MIT OpenCourseWare (OCW) Free General & Interdisciplinary Studies Architecture Graduate MIT OpenCourseWare

Furniture making is in many ways like bridge building, connections holding posts apart with spans to support a deck. Many architects have tried their hand at furniture design, Wright, Mies Van Der Rohe, Aalto, Saarinen, Le Corbusier, and Gerhy.

We will review the history of furniture making in America with a visit to the Decorative Arts Collection at the Museum of Fine Arts in Boston and have Cambridge artist/craftsman Mitch Ryerson show us his work and talk about design process. Students will learn traditional woodworking techniques beginning with the use of hand tools, power tools and finally woodworking machines.

Students will build a single piece of furniture of an original design that must support someone weighing 185 lbs. sitting on it 12 inches off the ground made primarily of wood. Students should expect to spend approximately 80 hours in the shop outside of class time.

Preregistered architecture students will get first priority but first meeting attendance is mandatory. Twelve student maximum, no exceptions.